World of warcraft weapon 3d coat workflow

Substance Painter makes maps through real-time rendering of various maps such as Roughness, Reflection, and Diffuse. I mainly used Substance Painter when I was working on various prop textures such as armour and accessories. When I made various maps such as SSS, Roughness, Reflection, and Specular, I was able to make it easier, faster, and of higher quality by using maps exported from Knald. I used maps exported from Knald, and was able to paint detail and various expressions using the diffuse map. I used a variety of photo textures to express more detail on Durota, and used the Albedo texture of 50s male_fullface.ДЇor reference, I imported Durotan's dismap to Knald, and I was able to make a lot of maps from Knald like concavity map, convexity map, curvature map, height map, and occlusion map. I used the Albedo texture of 50s male_fullface in Mari to paint the diffuse map on Durotan. I used V-Ray render and applied a dismap with the same settings as the photo below.

You don't need to share a lot of dismap shaders anymore, and object management becomes very easy. I completely solved the dismap problem by using the mask, low dismap, and high dismaps that were exported from ZBrush using the copy node in Nuke. I also exported the dismap and mask of high polygons that were sculpted. I raised the division one level up and exported the displacement map. Then I merged all of the objects in ZBrush. Low dismap and High dismap MaskДЇirst, I unifiez-d all the prop objects into a first-level divide. I however, use Nuke to solve these issues. When this occurs, some people render objects that are separate shaders in Maya after separating objects, and then export dismap in ZBrush. When you export the dismap, the overlapping or sticky parts of the objects are often broken or do not export well. Tip: In the case of ropes and chains, there are actually tied and twisted in real world, but it is more effective to make the objects overlap to look tied and twisted in Maya. As for details like the chains, I was able to do so by using the curve and Motion path in Maya. I made the rope by using Quick-Pipe Plug-in and the curve function in Maya. I was able to express the warped surfaces of leg armour and belts by using Deform functions in Maya, and then created my own topology in Maya and moved to ZBrush for more detailing. When I modeled the props for Durotan, I used both Maya and ZBrush to work up the various expressions and exact shapes. I sculpted features like wounds, wrinkle, pores and used the alpha that was exported from maleFace_40s_04 displacement map, and other displacement maps for various parts of the body.ДЄfter working on facial features, I started to make Durotan's armour, accessories and weapons.

The Morph target helped me to fix expression - using the target brush, you can address areas that need tweaking. I used the Layers and Morph target functions to help me divide the expressions and adjust each expression. I imported the topology that was created in 3D Coat to ZBrush again by using the project function. I created the topology in 3D Coat after finishing expressions in Zremesher. It can help you increase polygon count when you raise the divide level on ZRemesh polygon. If you want to create more detail, I recommend using ZRemesher.

DynaMesh is a basic sculpting function but it is hard to improve detail expression with that tool alone. First I started by using DynaMesh for basic sculpting in ZBrush.

World of warcraft weapon 3d coat workflow